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1984 single by George Michael

"Never Gonna Dance Once again (song)" redirects here. For the song by the Sugababes, see Alter (Sugababes album).

1984 single by George Michael (most territories)/Wham! featuring George Michael (U.s.)

"Careless Whisper"
Careless Whisper UK single.jpg

United kingdom of great britain and northern ireland vii" vinyl release artwork, also used for various international releases
Single by George Michael (most territories)/Wham! featuring George Michael (United States)
from the anthology Make It Big
Released 24 July 1984
Studio Sarm West, London
Genre
  • New wave

Popular[1]

  • soul[2]
  • R&B[3]
Length
  • vi:xxx (anthology version)
  • 5:00 (single version)
Characterization
  • Ballsy
  • Columbia
  • Sony
Songwriter(south)
  • George Michael
  • Andrew Ridgeley
Producer(s)
  • George Michael
  • Jerry Wexler (original)
George Michael (most territories)/Wham! featuring George Michael (U.s.a.) singles chronology
"Wake Me Up Before You Go-Go"
(1984) 		"Careless Whisper"
(1984) 		"Liberty"
(1984)
George Michael (remainder of the earth) singles chronology
"Careless Whisper"
(1984) 		"A Different Corner"
(1986)
Music video
"Careless Whisper" on YouTube
Alternative cover
Artwork for the US 7" vinyl release credited to Wham! featuring George Michael.

Artwork for the The states vii" vinyl release credited to Wham! featuring George Michael.

"Devil-may-care Whisper" is a song by the English singer George Michael. It was written by Michael and Andrew Ridgeley[4] of Wham! and was released on 24 July 1984 on the Wham! album Make It Large.

The song features a prominent saxophone riff, and has been covered past a number of artists since its first release. It was released as a single and became a huge commercial success effectually the world. Information technology reached number one in nearly 25 countries, selling well-nigh half-dozen million copies worldwide—2 million of them in the United States.[5]

Background [edit]

Composition and writing [edit]

In 1981, Michael was working every bit a DJ in the Bel Air eating house near Bushey, Hertfordshire.[half dozen] Michael explained in his autobiography, Blank, that he conceptualised "Careless Whisper" based on events from his childhood. Michael wrote, "I was on my style to DJ at the Bel Air when I wrote 'Careless Whisper'. I take always written on buses, trains and in cars. It always happens on journeys... With 'Careless Whisper' I remember exactly where it first came to me, where I came up with the sax line... I remember I was handing the money over to the guy on the bus and I got this line, the sax line... I wrote it totally in my head. I worked on it for about three months in my head."[seven]

"When I was twelve, thirteen, I used to have to chaperone my sis, who was ii years older, to an water ice rink at Queensway in London," he explained. "At that place was a daughter in that location with long blonde hair whose name was Jane. I was a fat boy in spectacles and I had a large crush on her - though I didn't stand a run a risk. My sister used to get and do what she wanted when we got to the skating rink and I would spend the afternoon swooning over this daughter Jane."[8]

"A few years afterward, when I was xvi, I had my first relationship with a girl chosen Helen," Michael continued.

It had just started to cool off a fleck when I discovered that the blonde girl from Queensway had moved in just around the corner from my school. She had moved in right side by side to where I used to stand and await for my next-door neighbor, who used to give me a lift home from schoolhouse. And one day I saw her walk downward the path next to me and I thought – now where did SHE come up from? She didn't know it was me. It was a few years later and I looked a lot dissimilar. And so nosotros played a school disco with The Executive and she saw me singing and decided she fancied me. By this time she was that much older and a big buxom affair – and somewhen I started seeing her. She invited me in one 24-hour interval when I was waiting for my lift and I was ... in heaven.[8]

Michael observed that after he stopped wearing glasses, he began getting invited to parties. "And the girl who didn't even see me when I was twelve invited me in," he noted.

And then I went out with her for a couple of months simply I didn't stop seeing Helen. I thought I was beingness smart – I had gone from being a total loser to being a two-timer. And I remember my sisters used to give me a hard time considering they institute out and they really liked the first girl. The whole idea of "Devil-may-care Whisper" was the beginning girl finding out virtually the second – which she never did. But I started another relationship with a girl chosen Alexis without finishing the i with Jane. It all got a bit complicated. Jane found out about her and got rid of me ... The whole time I thought I was being cool, being this 2-timer, but there actually wasn't that much emotion involved. I did feel guilty about the first daughter – and I accept seen her since – and the idea of the song was almost her. "Careless Whisper" was us dancing, because we danced a lot, and the idea was – we are dancing ... but she knows ... and it's finished.[8]

Andrew Ridgeley came upwardly with the chord sequence on his Fender Telecaster he had received for his 18th birthday.[9] They continued to work together on the music and lyric both at Michael'southward house in Radlett, and Shirlie Holliman's aunt'southward basement flat in Peckham, where Ridgeley was living.[9] [10]

Demoing [edit]

The original demo was recorded by local music producer Paul Mex, in Jan 1982 aslope those for "Club Tropicana" and "Wham Rap! (Enjoy What You Do)" in the front end room of Ridgeley's home (his parents' lounge turned into a makeshift studio) with Mex's TEAC 4-track Portastudio. Considering nearly of the twenty-four hour period was spent on Wham Rap!... and Ridgeley's mother had returned home by that bespeak, Careless Whisper had to be recorded in one take very quickly. It featured a Doctor Rhythm drum machine, an acoustic guitar (played by Ridgeley) and a bass guitar (played by Dave Westward), with Michael's vocal (recorded with a microphone attached to a broom handle).[11] [12] The overall cost of the recording was £twenty (largely due to the rental price of the Portastudio) and the duo landed a deal with Innervision by Mark Dean on the strength of the demos.[thirteen] [xiv]

A more complete and fully realised second demo was recorded on 24 March 1982 at Halligan Band Center, Holloway, London with a backing band and a saxophone riff.[15] However, on the same 24-hour interval, Michael and Ridgely were chosen over by Dean to sign a contract in addition to the record bargain, which they did at a nearby greasy spoon café. Michael recalls of that mean solar day:

"1 of the nigh incredible moments of my life was hearing 'Careless Whisper' demoed properly, with a ring, a sax and everything. Information technology was ironic that we signed the contract with Mark [Dean] that day, the twenty-four hour period I finally believed we had number-ane material. That same solar day we signed it all away. But you tin can never really know what you are capable of, you lot can never really have that foresight."[15]

Product [edit]

The vocal went through at least ii rounds of product. The first was during a trip Michael fabricated to Sheffield, Alabama, where he went to work with producer Jerry Wexler at Muscle Shoals Sound Studio in 1983.[16] [17] Michael was unhappy with the original version produced past Wexler, and decided to re-record and produce the song himself; the 2d version was the one ultimately released as a single.

After the backing rails and George'south vocal had been recorded, Wexler had booked the top saxophone player from Los Angeles to fly in and do the solo.[18] "He arrived at eleven and should take been gone by twelve", recalled Wham! manager Simon Napier-Bell. "Instead, subsequently two hours, he was still in that location while everyone in the studio shuddered with embarrassment. He just couldn't play the opening riff the way George wanted it, the mode information technology had been on the demo. But that had been made two years before past a friend of George'south who lived round the corner and played sax for fun in the pub."[18]

While the saxophonist appeared to be playing the part perfectly, Michael told him, "No, information technology's still not right, you see..." and he would lower his head to the talkback microphone and patiently hum the part to him yet again. "It has to twitch upwards a little just there! Encounter...? And not likewise much."[18]

Napier-Bong consulted with Wexler over Michael'due south dispute with the sax sound. "Is there really something George wants that's unlike from what the sax player is playing?" Napier-Bell asked.[eighteen] "Definitely!" replied Wexler.

I've seen things like this before. There'south some tiny dash that the sax player is somehow not getting right. Although you and I can't hear what information technology is, information technology may be the very thing that will make the tape a striking. The success of popular records is and then ephemeral, so unbelievably unpredictable, we but can't take the take a chance of beingness impatient. Merely this sax role player's not going to get it, is he![18]

The version Wexler produced was released later in the yr, as a (4:41) B-side "Special Version" on 12" in the Britain and Japan.

The record label Innervision was going to put out the Wexler version of "Careless Whisper" after the Club Fantastic Megamix every bit early as 1983. Song publisher Dick Leahy said that while he could not stop the release of the Gild Fantastic Megamix, he could end the release of this single on the basis that as a publisher they "have the right to grant the offset license of the recording of a tune of which he controls the copyright". He was unable to do annihilation most the Lodge Fantastic Megamix because it was already released fabric. He said: "Nosotros knew how large that vocal could be, then it was necessary to upset a few people to stop it."[19] Towards the end of 1983, Michael was too committed to touring with Wham! to promote Fantastic, and so according to him it would not have made sense to release "Careless Whisper" as a solo single in the middle of the tour, despite it existence function of the setlist.[xx]

Michael later went back to London's Sarm West'due south Studio two to re-record the rail, the backbone of which was washed with a live rhythm department in one take, with "loads of stuff bunged on [overdubbed] later" as Michael added, although the feel of it was basically live.[21] [22] Michael elaborated on the song'southward product and how it turned out in the terminate:

"Jerry Wexler did one recording of "Careless Whisper" with me. Then we re-mixed that, which meant re-shooting the video and so nosotros completely re-did the rail virtually four weeks before it was due to be released. When nosotros originally made it I was totally in awe of Jerry Wexler and it was the first time that I had ever felt like that about everyone that I'd worked with. Usually I have trouble convincing myself that people know what they're doing. In this case I had to get drunk in order to sing, I was so nervous. Anyway, my publisher [Dick Leahy] and I had loads of discussions about whether the record was good enough for the song and whether there was enough of me in it considering it just did not sound like me. I said 'information technology's corking. Jerry's done a great chore on it', and for the first time since we'd started I was blind to what was going on considering the vocal was already two and a half years old and I just did not have a clue about where else I could take it. Somewhen I just thought, 'sod this. I'grand going to go in and do it as if it had never been done before with the musicians nosotros normally utilize and see what happens.' The track was much better because I was relaxed and I retrieve that our musicians did a much better job than the Musculus Shoals section". [22]

Co-ordinate to English jazz musician Dan Forshaw, saxophonist Steve Gregory had received a telephone call to re-record the song'due south distinctive solo; he was the eleventh saxophone histrion to record the solo, for Michael was determined to go the audio he wanted.[23] "Session musicians do not have much idea what they are going to be recording until they make it, and this was the instance for Steve and another saxophonist who was alee of him in the (queue)", Forshaw recalled.

As usual in that location was a lot of waiting around and the guy in front of Steve threw in the towel saying, 'it'southward only going to exist some crappy B side anyhow so I'grand off'. Steve waited and so discovered that the solo wasn't that piece of cake to play in the written key, equally his quondam Selmer Mark Half dozen tenor didn't have a top F♯ key. So, the engineer slowed the record downwards so that Steve could record the solo a semitone lower than intended. Once the tape was put back to the normal speed, an 'unnatural' saxophone audio was created that sounded a fleck like an Alto in the Paul Desmond vibe, but lacking a bit more depth and darkness to the audio. George Michael had simply arrived at the studio and said 'that's the i, that's the sax solo I desire'. This could be down to that whole 80s synth concept where sounds became increasingly 'manufactured', or simply that George never recognized it was 'wrong'.[23]

The officially released single was issued in Baronial 1984, entering the Great britain Singles Chart at number 12. Within ii weeks it was at number one, ending a nine-calendar week run at the top for "Two Tribes" by Frankie Goes to Hollywood.[4] It stayed at number 1 for 3 weeks, going on to become the fifth acknowledged unmarried of 1984 in the United kingdom of great britain and northern ireland; outsold only by the two Frankie Goes to Hollywood tracks, "Two Tribes" and "Relax", Stevie Wonder with "I Only Chosen to Say I Beloved You", and Band Aid's "Do They Know Information technology's Christmas?". The song too topped the charts in 25 other countries, including the Billboard Hot 100 in the United States in February 1985 under the credit "Wham! featuring George Michael". Spending three weeks at the acme in America, the song was later on named Billboard 's number-one song of 1985. The song was #one on the smooth radio top 500 songs of all fourth dimension chart – proving its iconic status.

Despite the success, Michael was never fond of the song. He said in 1991 that information technology "was non an integral function of my emotional evolution ... it disappoints me that you tin write a lyric very flippantly—and not a specially proficient lyric—and it can mean so much to so many people. That'southward disillusioning for a writer."[19]

Music video [edit]

The official music video (which uses the shorter single version instead of the total album version and was directed by Duncan Gibbins, who previously directed "Wake Me Upwards Earlier Yous Become-Get") shows the guilt felt past a human being (portrayed past Michael) over an matter, and his acknowledgement that his partner (Lisa Stahl) is going to detect out. Madeline Andrews-Hodge plays the adult female who lures George away. It was filmed on location in Miami, Florida, in February 1984[24] and features such locales as Kokosnoot Grove and Watson Island. The final part of the video shows Michael leaning out of a acme flooring balcony of Miami's Grove Towers.[25] [26]

A beginning original version of the video was edited with the Jerry Wexler 1983 version, and featured Andrew as a cameo, handing over a letter of the alphabet to a dark-haired George. This version had a more detailed storyline, but was and so re-edited later.[27]

According to producer Jon Roseman, production of the video was "A fucking disaster".[28] According to Michael's co-star Lisa Stahl, "They lost footage of our kissing scene so we had to reshoot it, which I didn't mutter about ... So George decided he didn't like his hair then he flew his sister over from England to cut it and nosotros had to reshoot more scenes."[29]

As the band felt they had "screwed up" the video, further footage of Michael singing the song onstage was afterwards shot at the Lyceum Theatre, London.[28] The video performance (1984 Version) was officially uploaded to George Michael YouTube channel on 24 Oct 2009. It has over 834 million views as of 2022.

Track listing [edit]

All tracks are written by George Michael and Andrew Ridgeley.

7": Ballsy / A 4603 (UK)
No. Title Length
1. "Careless Whisper" (Single Edit) 5:04
2. "Careless Whisper" (Instrumental) 5:02
12": Epic / TA4603 (U.k.)
No. Title Length
1. "Careless Whisper" (Extended Mix) six:31
2. "Devil-may-care Whisper" (Instrumental) 5:02
12": Columbia / 44-05170 (US)
No. Title Length
1. "Careless Whisper" (Extended Mix) 6:20
2. "Careless Whisper" (Instrumental) 4:52
12": Columbia Promotional / As-1980 (U.s.)
No. Championship Length
1. "Careless Whisper" 4:50
two. "Careless Whisper" 4:50
12" maxi: Epic / QTA 4603 (United kingdom of great britain and northern ireland) – Special Edition
No. Title Length
one. "Devil-may-care Whisper" (Extended Mix) half-dozen:31
2. "Careless Whisper" (Jerry Wexler Special Version) 5:34
iii. "Careless Whisper" (Condensed Instrumental Version) 4:52
  • Note: The Extended Mix is identical to the album version from Brand It Big.

Credits and personnel [edit]

  • George Michael – lead and backing vocals
  • Andrew Ridgeley – audio-visual guitar (uncredited)
  • Steve Gregory – saxophone
  • Deon Estus – bass
  • Trevor Murrell – drums[nb one]
  • Chris Parren – keyboards
  • Anne Dudley – keyboards [31]
  • Hugh Burns – electric guitar
  • Danny Cummings – percussion

Credits adapted from the Extended Mix'south liner notes.[32]

Charts [edit]

Certifications [edit]

Cover versions [edit]

"Careless Whisper" has been covered by many other artists. Amidst the near significant versions are:

  • Sarah Washington on a dance version that peaked at number 45 on the Britain Singles Chart (1993).[91]
  • 2Play produced a cover version in 2004. It charted at number 29 in the UK.[92]
  • Kamasi Washington and El Debarge performed it to pay tribute to George Michael at the 2017 BET Awards.[93]
  • S African alternative rock band Seether covered the vocal on their 2007 album Finding Beauty in Negative Spaces. It charted at number 63 in the US.[94]
  • Dutch rapper Lil' Kleine sampled the chorus for his song, titled "Dansen", on his about recent anthology Ibiza Stories.[95]

See too [edit]

  • List of acknowledged singles in the United Kingdom
  • Listing of number-ane singles in Australia during the 1980s
  • List of Dutch Top twoscore number-one singles of 1984
  • List of number-ane singles of 1984 (Ireland)
  • List of number-one hits of 1984 (Switzerland)
  • List of number-ane singles from the 1980s (UK)
  • Listing of RPM number-ane singles of 1985
  • Listing of Hot 100 number-one singles of 1985 (U.Southward.)
  • List of number-1 developed contemporary singles of 1985 (U.S.)

Notes [edit]

  1. ^ The name of Wham!'s drummer was Trevor Murrell.[30] He is listed on the liner notes equally Trevor Morrell.

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  91. ^ "Official Charts Company – Sarah Washington". archive.is. nineteen January 2013. Retrieved 4 October 2017.
  92. ^ "OFFICIAL SINGLES CHART RESULTS MATCHING: Careless WHISPER". Official Charts . Retrieved 8 March 2019.
  93. ^ Breihan, Tom (26 June 2017). "Watch Kamasi Washington & El DeBarge Cover George Michael At The BET Awards". Stereogum . Retrieved 11 July 2017.
  94. ^ "Seether". Billboard . Retrieved 24 Apr 2021.
  95. ^ "Lil Kleine Ibiza Stories". Maxazine . Retrieved 22 Jan 2022.

External links [edit]

  • Careless Whisper sheet music PDF

turnercomenis.blogspot.com

Source: https://en.wikipedia.org/wiki/Careless_Whisper

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